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Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization.
The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.
It is estimated over a twenty-year period between 1960 and 1980 that tens of thousands of Native American women were sterilized without their knowledge or consent. Due to poor record keeping during this era the number may in fact be much higher. Many of these women went to their graves having suffered this incredible abuse of power.
Amá was co-produced by Raindog Films, a London-based production company helmed by Academy-award winning actor Colin Firth and prolific film producer Ged Doherty, and the Roddick Foundation.
Followed by a Q&A with Lorna Tucker, Director and Charon Asetoyer, Executive Producer
An intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her.
Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice – whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
“There simply hasn’t been a film like it before….A guttural cry of despair and an incendiary plea for justice. A fellow critic has already called it, ‘One of the most important films you will ever see in your life’. And I’m inclined to agree” - The Times
Winner Best Documentary SXSW 2019 / Winner Audience Award SXSW 2019
Winner Special Jury Prize Documentary Hot Docs 2019
Winner L'Oeil D'Or Festival de Cannes 2019
Winner Audience Award Sheffield Doc/Fest 2019
Matinee Classics - tickets available from £1.75 for the over 55's.
After a series of misunderstandings, the head of an aerospace research laboratory starts to suspect his girlfriend is a Russian spy.
Roman (Matthias Schoenaerts), a convict in a rural Nevada prison who struggles to escape his violent past, is required to participate in an "outdoor maintenance" program as part of his state-mandated social rehabilitation. Spotted by a no-nonsense veteran trainer (Bruce Dern) and helped by an outgoing fellow inmate and trick rider (Jason Mitchell), Roman is accepted into the selective wild horse training section of the program, where he finds his own humanity in gentling an especially unbreakable mustang.
A screening of works by Tito & Tita and collective member, Gym Lumbera. Often working with formats such as Super 8 and 16mm their films interrogate the possibilities of photographic media and its various histories.
A Q&A with Gym Lumbera led by Dr May Adadol Ingawanij (moving image theorist, historian, curator and Co-Director of CREAM) follows the screening.
Dir. Tito & Tita
2012 | 4' | 16mm transferred to video | colour | sound
Shot on the short-ends of expired 16mm film, this work evokes faded memories and injects lyricism and humour into the archetypal class picture alongside the fleeting sound of waves crashing on a beach.
Dir. Gym Lumbera
2012 | 70' | Super 8 + 16mm + 35mm transferred to HD | B&W | sound
Anak Araw follows a Filipino albino who searches for his identity in an imaginary past. Believing he is of American descent he teaches himself English using a Tagalog-English dictionary. Set in the 1950s, the film integrates original celluloid footage with archive material to create a unique, dreamlike atmosphere in which the filmmaker explores the nature of identity in a postcolonial situation.
Gym Lumbera was born in a quaint town in Batangas, Philippines by a lake that had a volcano right at its heart. Lumbera’s place of birth and the depth with which his connections to it run, threads through all of his films from his early shorts to his last feature, Anak Araw (2012). He is a recipient of the Ani ng Dangal National Award for Cinema 2012 from the President of the Philippines.
Tito & Tita are a film and art collective. Through installation, film, photography and collective actions they explore the spatial, architectural, performative, and cinematic elements of image- making, often working with small-gauge film formats such as Super 8 and 16 mm. Their name Tito & Tita is Tagalog for 'uncle and aunts', suggesting an informal network of artist collaborators. Along with Gym Lumbera the network’s current incarnation includes filmmakers Shireen Seno and Timmy Harn, production designer, Jacyn Esquillon, cinematographer, Jippy Pascua and artist Charles Salazar.
Tito & Tita and Gym Lumbera have featured in various festivals, institutions and artist-run spaces including the Tokyo Metropolitan Museum of Photography, International Film Festival Rotterdam, Toronto International Film Festival, Documenta (13), Tate Modern (London), M+ (Hong Kong), MoMA and The Museum of the Moving Image (New York).
This event is part of American Export a programme of projects exploring the ubiquity of American culture via post colonial and transatlantic prisms. Curated by Christina Millare, American Export is developed with support from CREAM at the University of Westminster, Grand Union and Arts Council England.